{"id":25,"date":"2018-09-06T14:49:31","date_gmt":"2018-09-06T12:49:31","guid":{"rendered":"https:\/\/platform.musicaldatabase.nl\/?page_id=25"},"modified":"2019-08-17T12:10:41","modified_gmt":"2019-08-17T10:10:41","slug":"publicaties","status":"publish","type":"page","link":"https:\/\/platform.musicaldatabase.nl\/index.php\/publicaties\/","title":{"rendered":"Bronnen"},"content":{"rendered":"<p><strong>Op zoek naar informatie over musicals? Hier vind je een lijst met belangrijke publicaties, video&#8217;s en podcasts. De lijst wordt regelmatig aangevuld.<br \/>\n<\/strong><\/p>\n<h2>Podcasts<\/h2>\n<ul>\n<li><strong>36 Questions &#8211; The Podcast Musical<\/strong><br \/>\n<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Driedelige podcast-musical met Jonathan Groff &amp; Jessie Shelton&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Driedelige podcast-musical met Jonathan Groff &amp; Jessie Shelton.<\/span><\/li>\n<li><strong>Broadway Babies<br \/>\n<\/strong><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Alex Ewald en Daisy Togawa bespreken (her)opvoeringen van Broadwaymusicals, musicalconcerten, en musicalfilms&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Alex Ewald en Daisy Togawa bespreken (her)opvoeringen van Broadwaymusicals, musicalconcerten, en musicalfilms.<\/span><\/li>\n<li><strong>Broadway Backstory<br \/>\n<\/strong><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Patrick Hinds onderzoekt de totstandkoming van prominente recente musicals als Hamilton, Fun Home en Kinky Boots. &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Patrick Hinds onderzoekt de totstandkoming van prominente recente musicals als Hamilton, Fun Home en Kinky Boots. <\/span><\/li>\n<li><strong>Broadway Binge<\/strong><br \/>\n<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Jeremy Berman en Hannah van Sciver gaan chronologisch door de geschiedenis van de Broadwaymusical, en bespreken elke aflevering een andere musical.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Jeremy Berman en Hannah van Sciver gaan chronologisch door de geschiedenis van de Broadwaymusical, en bespreken elke aflevering een andere musical.<\/span><\/li>\n<li><strong>Broadway Bullet<br \/>\n<\/strong><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;In Broadway Bullet worden acteurs, schrijvers, regisseurs, technici (etc) geinterviewd die werken in het (Off-)Broadway circuit.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">In Broadway Bullet worden acteurs, schrijvers, regisseurs, technici (etc) geinterviewd die werken in het (Off-)Broadway circuit.<\/span><\/li>\n<li><strong>BroadwayRadio<\/strong><br \/>\n<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Dagelijkse uitzendingen met nieuws over recente ontwikkelingen op Broadway\/besprekingen van nieuwe voorstellingen\/interviews met spelers en makers&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Dagelijkse uitzendingen met nieuws over recente ontwikkelingen op Broadway\/besprekingen van nieuwe voorstellingen\/interviews met spelers en makers.<\/span><\/li>\n<li><strong>De Grote Harry Bannink Podcast<\/strong><br \/>\nGijs Groenteman interviewt per aflevering acteurs, muzikanten etc die hebben samengewerkt met componist Harrie Bannink (onder anderen Willem Nijholt, Barrie Stevens, Flip van Duijn, Henny Vrienten en Jenny Arean).<\/li>\n<li><strong>Hamilton the Podcast<\/strong><br \/>\nRobbie Hurlocker &amp; Vinton Bayne analyseren de muziek van Hamilton, en prominente figuren en bronnen die in de musical ter sprake komen.<\/li>\n<li><strong>Musicaltalk<\/strong><br \/>\nWekelijkse podcast over musicals in de UK.<\/li>\n<li><strong>Theater People<\/strong><br \/>\nPatrick Hinds interviewt Tony-winnaars, Broadwayiconen en rising stars.<\/li>\n<li><strong>The Ensemblist<\/strong><br \/>\nMo Brady (The Addams Family, Smash) en Nikka Graff Lanzarone (Chicago, Women on the Verge of a Nervous Breakdown) interviewen acteurs die werken in de ensembles van Broadwaymusicals, en geven zo een &#8216;inside look&#8217; van de eerste repetities tot voorstellingen.<\/li>\n<li><strong>The Hamilcast: A Hamilton Podcast<\/strong><br \/>\nGillian Pensavalle interviewt gasten over allerlei onderwerpen die met Hamilton te maken hebben.<\/li>\n<li><strong>The Producer&#8217;s Perspective<\/strong><br \/>\n<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Ken Davenport (producent van o.a. The Bridges of Madison County, Kinky Boots en Godspell) interviewt producenten van Broadwaymusicals.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Ken Davenport (producent van o.a. The Bridges of Madison County, Kinky Boots en Godspell) interviewt producenten van Broadwaymusicals.<\/span><\/li>\n<li><strong>The Room Where It Is Happening<\/strong><br \/>\nTravon Free &amp; Mike Drucker interviewen (bekende) superfans van Hamilton.<\/li>\n<li><strong>Three on the Aisle<\/strong><br \/>\nTheatercritici Peter Marks, Terry Teachout en Elizabeth Vincentelli bespreken de nieuwste ontwikkelingen\/producties op Broadway (waaronder veel musicals).<\/li>\n<\/ul>\n<h2>Televisie\/film<\/h2>\n<ul>\n<li><strong><a href=\"https:\/\/www.dailymotion.com\/search\/neil%20brand%20sound%20of%20musicals?fbclid=IwAR2D3S2-QSEbm3iXMSmBfnguF7Yo6u7__H5vERnRh4AX-TVCGnOB_ZKY8C4\">BBC Sound of Musicals<\/a><br \/>\n<\/strong>In drie afleveringen worden een overzicht gegeven van de Anglo-Amerikaanse musicalgeschiedenis.<\/li>\n<\/ul>\n<h2>Publicaties<\/h2>\n<h3>Algemeen<\/h3>\n<ul>\n<li><strong>The Oxford Handbook of the British Musical(2017), Robert Gordon &amp; Olaf Jubin<\/strong><br \/>\nEssaybundel over de Britse musical.<\/li>\n<li><strong>The Oxford Handbook of the American Musical (2013), Raymond Knapp, Mitchel Morris &amp; Stacy Wolf<\/strong><br \/>\nEssaybundel over de Amerikaanse musical.<\/li>\n<li><strong>The American Musical and the Performance of Personal Identity (2006), Raymond Knapp<\/strong><\/li>\n<li><strong>The American Musical and the Formation of National Identity (2005), Raymond Knapp<\/strong><\/li>\n<li><strong>&#8216;Off Off Off Off Broadway: Musical Development Out of Town and Regionally&#8217; (2017), Laura MacDonald in\u00a0Elizabeth Wollman&#8217;s\u00a0A Critical Companion to the American Stage Musical<em style=\"font-size: 0.875rem;\"><br \/>\n<\/em><\/strong><\/li>\n<li><strong>&#8216;Putting It Together: A Step-By-Step Look at Musicals from the Page to the Stage&#8217; (2017), Robert Meffe in Elizabeth Wollman&#8217;s\u00a0A Critical Companion to the American Stage Musical<\/strong><\/li>\n<li><strong>The Musical as Drama: A Study Behind the Principles and Conventions Behind Musical Show from Kern to Sondheim\u00a0(2006), Scott McMillin<\/strong><\/li>\n<li><strong>Musical Theatre, Realism and Entertainment\u00a0(2012), Millie Taylor<\/strong><\/li>\n<li><strong>Studying Musical Theatre: Theory and Practice(2014), Millie Taylor &amp; Dominic Symonds<\/strong><br \/>\nHandboek voor (bachelor)studenten met alle basisbegrippen en theorie\u00ebn die handig zijn voor het onderzoeken van musicals.<\/li>\n<li><strong>&#8216;Interdisciplinary Approaches to Studying the Stage Musical&#8217; (2017), Elizabeth Tritington Craft &amp; Dee Das in Elizabeth Wollman&#8217;s\u00a0A Critical Companion to the American Stage Musical<em style=\"font-size: 0.875rem;\"><br \/>\n<\/em><\/strong>Handleiding voor het analyseren van musicals vanuit verschillende perspectieven, bijvoorbeeld vanuit theaterwetenschap en muziekwetenschap.<\/li>\n<li><strong>&#8216;Today, Broadway: Tomorrow, the World: The &#8220;American&#8221; Musical and Globalization (2017), Jessica Sternfeld in Elizabeth\u00a0Wollman&#8217;s\u00a0A Critical Companion to the American Stage Musical<\/strong><\/li>\n<li><a href=\"https:\/\/www.routledgehandbooks.com\/doi\/10.4324\/9780203075944.ch58\" target=\"_blank\" rel=\"noopener\"><strong>&#8216;A Method For Musical Theatre Dramaturgy&#8217;<\/strong><\/a><strong> (2014), Brian D. Valencia in Magda Romanska&#8217;s\u00a0The Routledge Companion to Dramaturgy. Routledge<\/strong><span style=\"font-size: 0.875rem;\"><br \/>\n<\/span>Handleiding voor dramaturgische analyse van musical.<\/li>\n<li><strong>A Critical Companion to the American Stage Musical\u00a0(2017), Elizabeth Wollman<br \/>\n<\/strong>Essaybundel over de Amerikaanse musical.<\/li>\n<li><strong><a href=\"https:\/\/www.academia.edu\/36327964\/Connection_in_an_Isolating_Age_Looking_Back_on_Twenty_Years_of_Engaging_Audiences_and_Marketing_Musical_Theatre_Online?email_work_card=title\">Connection in an Isolating Age: Looking Back on Twenty Years of Engaging Audiences and Marketing Musical Theatre Online<\/a> (2017), Laura MacDonald in iBroadway<\/strong><\/li>\n<\/ul>\n<h3>Andrew Lloyd Webber<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/www.newyorker.com\/magazine\/2018\/03\/12\/did-andrew-lloyd-webber-ruin-the-musical-or-rescue-it\" target=\"_blank\" rel=\"noopener\">Did Andrew Lloyd Webber Ruin the Musical or Rescue It?<\/a>\u00a0(2018), Adam Gopnik<\/strong><br \/>\nAchtergrondartikel in de New Yorker.<\/li>\n<\/ul>\n<h3>The Book of Mormon<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/www.ingentaconnect.com\/search\/article?option1=tka&amp;value1=Oh.+What+a+Beautiful+Mormon&amp;pageSize=10&amp;index=1\" target=\"_blank\" rel=\"noopener\">Oh, What a Beautiful Mormon: Rodgers and Hammerstein, Intertextuality and The Book of Mormon<\/a> (2017), Adam Rush<br \/>\n<\/strong>Artikel uit\u00a0<em>Studies in Musical Theatre\u00a0<\/em>over verwijzingen naar andere musicals in\u00a0<em>The Book of Mormon<\/em>.<\/li>\n<\/ul>\n<h3>Brink &amp; Sanders<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/www.dbnl.org\/tekst\/_ons003198801_01\/_ons003198801_01_0133.php\">Max Havelaar, nu ook gezongen<\/a><\/strong> <strong>(1988), Paul van der Plank in\u00a0<em>Ons Erfdeel<\/em>.<\/strong><br \/>\nBeschouwing van de musical\u00a0<em>Max Havelaar<\/em>.<\/li>\n<\/ul>\n<h3>Casting<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/academicworks.cuny.edu\/gc_etds\/3084\/#.XLCtQ-W1o5Y.twitter\">Broadway Bodies: Casting, Stigma, and Difference in Broadway Musicals Since &#8220;A Chorus Line&#8221; (1975)<\/a> (2019), Ryan Donovan<\/strong><br \/>\nProefschrift over de politiek van representatie, met aandacht voor het lichaam en haar beperkingen, gender, seksualiteit en gewicht.<\/li>\n<\/ul>\n<h3>Disney<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/link.springer.com\/chapter\/10.1057\/978-1-137-43308-4_42\">Disney Theatrical Productions: Anything Can Happen If You Let It<\/a> (2017), Amy Osatinski in\u00a0<em>The Palgrave Handbook of Musical Theatre Producers<\/em><\/strong><br \/>\nGeschiedenis van Disney Theatrical Productions, met focus op o.a.<em> Tarzan<\/em>.<\/li>\n<li><strong>Disney Theatrical Productions: Producing Broadway Musicals the Disney Way (2019), Amy Osatinski<br \/>\n<\/strong>Uitgebreide geschiedenis en analyse van de productieprocessen van Disney Theatrical Productions.<\/li>\n<li><strong>Today, Broadway; Tomorrow, The World: The &#8220;American&#8221; Musical and Globalization (2017), Jessica Sternfeld &amp; Elizabeth Wollman in\u00a0<em>A Critical Companion to the American Stage Musical<\/em>.<\/strong><\/li>\n<li><strong>The Disney Musical on Stage and Screen: Critical Approaches from &#8216;Snow White&#8217; to Frozen&#8217; (2017), George Rodosthenous<\/strong><br \/>\nEssaybundel met hoofdstukken over Disneymusicals benaderd vanuit verschillende perspectieven, zoals feminisme, ras en gender.<\/li>\n<li><strong><a href=\"https:\/\/www.vulture.com\/2019\/05\/the-racial-wonderland-of-aladdins-genie.html\">The Racial Wonderland of\u00a0<em>Aladdin<\/em>&#8217;s Genie<\/a> (2019), Lauren Michele Jackson\u00a0<\/strong>op\u00a0<em>Vulture<br \/>\n<\/em>Over ras en identiteit in\u00a0<em>Aladdin<\/em>, met extra aandacht voor het personage van de Genie.<\/li>\n<\/ul>\n<h3>Educatie<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.academia.edu\/33317278\/Broadway_Junior_Musical_Theatre_for_Youth_Performers?email_work_card=view-paper\"><strong>Broadway Junior: Musical Theatre for Youth Performers, Joshua Streeter<\/strong><\/a><br \/>\nThesis over bewerkingen voor jeugd van commerci\u00eble musicals.<\/li>\n<li><strong>&#8216;Making Musicals for Serious Pleasure&#8217; (2017), Stacy Wolf in Elizabeth Wollman&#8217;s\u00a0<\/strong><em><strong>A Critical Companion to the American Stage Musical<\/strong><br \/>\n<\/em>Over musicaleducatie op scholen in Amerika.<\/li>\n<li><strong><a href=\"https:\/\/muse.jhu.edu\/article\/212501\" target=\"_blank\" rel=\"noopener\">Musical Theatre History in the Liberal Arts<\/a> (2007), Stacy Wolf<br \/>\n<\/strong>Artikel uit\u00a0<em>Theatre Topics<\/em>\u00a0over hoe\u00a0musical op interdisciplinaire wijze onderwezen kan worden.<\/li>\n<\/ul>\n<h3>Feminisme<\/h3>\n<ul>\n<li><strong>Changed for Good: A Feminist History of the Broadway Musical (2011), Stacy Wolf<\/strong><\/li>\n<li><strong>A Problem Like Maria: Gender and Sexuality in the American Musical\u00a0(2002), Stacy Wolf<\/strong><\/li>\n<\/ul>\n<h3>Filmmusicals<\/h3>\n<ul>\n<li><strong>New York City and the Hollywood Musical: Dancing in the Streets (2016), Martha Shaerer<\/strong><\/li>\n<\/ul>\n<h3>Hamilton<\/h3>\n<ul>\n<li><a href=\"https:\/\/muse.jhu.edu\/article\/659842\/\" target=\"_blank\" rel=\"noopener\"><strong>&#8220;Make &#8216;Em Laugh&#8221;: Why History Can&#8217;t Be Reduced to Song and Dance<\/strong><\/a><strong>\u00a0(2017), Nancy Isenberg.<\/strong><br \/>\nArtikel in het Journal of the Early Republic.<\/li>\n<li><strong><a href=\"https:\/\/muse.jhu.edu\/article\/659848\/\">Toward a More Perfect Hamilton<\/a> (2017), Marvin McAllister<br \/>\n<\/strong>Artikel in het Journal of the Early Republic.<\/li>\n<li><a href=\"https:\/\/trevorboffone.com\/2016\/06\/02\/syllabus4ham-the-hamilton-syllabus\/\" target=\"_blank\" rel=\"noopener\"><strong>Syllabus 4 HAM<\/strong><\/a><br \/>\nOverzicht van artikelen en informatiebronnen over\u00a0<em>Hamilton<\/em>.<\/li>\n<\/ul>\n<h3>Kander &amp; Ebb<\/h3>\n<ul>\n<li><strong>All That Jazz: The difficult journey of Chicago from stage to screen<\/strong> <strong>(2018), Robert Gordon in\u00a0<em>Twenty-First Century Musicals: From Stage to Screen<\/em>.<\/strong><\/li>\n<li><strong>Colored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz (2004), John Kander, Fred Ebb &amp; Greg Lawrence.<\/strong><\/li>\n<li><strong>All That Jazz: The Life and Times of the Musical Chicago (2018), Ethan Mordden.<\/strong><\/li>\n<\/ul>\n<h3>Megamusicals<\/h3>\n<ul>\n<li><strong><a href=\"http:\/\/banmarchive.org.uk\/collections\/soundings\/05_179.pdf\">Enter, stage right: Neoconservatism, English Canada and the megamusical<\/a>\u00a0<\/strong><strong>(1997), Jonathan Burston<\/strong> i<strong>n\u00a0<em>soundings.<\/em><\/strong><\/li>\n<li><strong>The Megamusical\u00a0(2006), Jessica Sternfeld<br \/>\n<\/strong>Standaardwerk over de geschiedenis van en het concept megamusical, met\u00a0<em>case studies<\/em> van onder andere <em>Jesus Christ Superstar<\/em> en\u00a0<em>Les Mis\u00e9rables<\/em>.<\/li>\n<\/ul>\n<h3>Nederlandse musicals<\/h3>\n<ul>\n<li><strong>De Nederlandse Musical &#8211; Emancipatie van een Fenomeen (2019), Bart Dieho, Sandra Verstappen, Jeroen van Wijhe &amp; Sanne Thierens<br \/>\n<\/strong>Academisch handboek over de Nederlandse musical, met als hoofdthema&#8217;s geschiedenis, theorie, dramaturgie, educatie en kritiek.<\/li>\n<li><strong>De Musical: Het Boek\u00a0(2010), Maxim Bezembinder, Barenda Grutterink, Xandra Knebel &amp; Hilde Scholten<br \/>\n<\/strong>Algemeen boek over de musical in Nederland met hoofdstukken over o.a. geschiedenis, creatie en kritiek.<\/li>\n<li><strong><a href=\"https:\/\/www.dbnl.org\/tekst\/_ons003199301_01\/_ons003199301_01_0137.php\">De Musical in Vlaanderen en Nederland<\/a> (1993), Linda Berghmans\u00a0in\u00a0<em>Ons Erfdeel<\/em><\/strong><br \/>\nOverzichtsartikel met korte geschiedenis van de musical in Vlaanderen en Nederland.<\/li>\n<li><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/03096564.2018.1475046\"><strong>&#8216;Don&#8217;t Whine&#8217;: Sexuality, Adultery and Emancipation in Annie M.G. Schmidt and Harry Bannink&#8217;s Musical\u00a0Heerlijk Duurt Het Langst\u00a0(1965)<\/strong><\/a> <strong>(2018), Sanne Thierens<br \/>\n<\/strong>Artikel in Dutch Crossing over paralellen tussen de seksuele revolutie en de emancipatie van de vrouw en de thematiek in Schmidt en Bannink&#8217;s eerste musical.<\/li>\n<li><strong>Met Zang en Dans: De Geschiedenis van de Musical in Nederland\u00a0(1993), Paul van Ewijk<br \/>\n<\/strong>Overzicht van de geschiedenis van de Nederlandse musical.<\/li>\n<li><strong>Musicals in Nederland\u00a0(2004), Hilde Scholten<br \/>\n<\/strong>Encyclopedisch overzichtswerk met de meeste in Nederland geproduceerde musicals tot 2004.<\/li>\n<li><strong><a href=\"https:\/\/www.dbnl.org\/tekst\/_ons003200201_01\/_ons003200201_01_0009.php\">To Ben or not to Ben: Musical in Vlaanderen en Nederland, de pioneer van de culturele economie<\/a> (2002), Mark Cloostermans in\u00a0<em>Ons Erfdeel<\/em><\/strong><\/li>\n<\/ul>\n<h3>Rodgers &amp; Hammerstein<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/www.vulture.com\/2019\/04\/frank-rich-oklahoma.html?utm_campaign=vulture&amp;utm_medium=s1&amp;utm_source=tw\">Oklahoma Was Never Really Ok<\/a> (2019), Frank Rich<\/strong> op\u00a0<em>Vulture.<\/em><br \/>\nKritiek op\u00a0<em>Oklahoma<\/em> en haar representatie van Amerika.<\/li>\n<\/ul>\n<h3>Stephen Sondheim<\/h3>\n<ul>\n<li><strong>Art Isn&#8217;t Easy: The Achievement of Stephen Sondheim\u00a0(1990), Joanne Gordon<\/strong><\/li>\n<li><strong>Sondheims Broadway Musicals (1993), Stephen Banfield<\/strong><\/li>\n<li><strong>Sondheim on Music: Minor Details and Major Decisions (2019), Mark Eden Horowitz<\/strong><\/li>\n<li><strong>Stephen Sondheim: A Casebook\u00a0(1997), Joanne Gordon<\/strong><\/li>\n<li><strong>The Oxford Handbook of Sondheim Studies (2014), Joanne Gordon<\/strong><br \/>\nEssaybundel over het werk van Stephen Sondheim.<\/li>\n<\/ul>\n<h3>Stage Entertainment<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/link.springer.com\/chapter\/10.1057\/978-1-137-43308-4_35\">From Amsterdam With Love: Stage Entertainment&#8217;s Global Success<\/a> (2017), Sanne Thierens in\u00a0<em>The Palgrave Handbook of Musical Theatre Producers<\/em><\/strong><br \/>\nHoofdstuk over het wereldwijde succes van Joop van den Ende&#8217;s theaterbedrijf Stage Entertainment.<\/li>\n<li><strong><a href=\"https:\/\/www.thestage.co.uk\/features\/2017\/stage-entertainment-the-europe-wide-powerhouse-producer\/\">Stage Entertainment: the European-wide powerhouse producer with a local touch (2017), Lisa Martland in\u00a0<em>The Stage<\/em><\/a><\/strong><\/li>\n<\/ul>\n<h3>West Side Story<\/h3>\n<ul>\n<li><strong>Something&#8217;s Coming, Something Good: West Side Story and the American Imagination (2011), Misha Berson<\/strong><\/li>\n<li><strong><a href=\"https:\/\/howlround.com\/west-side-story-appropriation-we-never-really-talk-about\">The West Side Story Appropriation We Never Really Talk About <\/a>(2017), Viviana Vargas<\/strong> op\u00a0<em>HowlRound<\/em><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Op zoek naar informatie over musicals? Hier vind je een lijst met belangrijke publicaties, video&#8217;s en podcasts. De lijst wordt regelmatig aangevuld. Podcasts 36 Questions &#8211; The Podcast Musical Driedelige podcast-musical met Jonathan Groff &amp; Jessie Shelton. Broadway Babies Alex Ewald en Daisy Togawa bespreken (her)opvoeringen van Broadwaymusicals, musicalconcerten, en musicalfilms. Broadway Backstory Patrick Hinds [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/pages\/25"}],"collection":[{"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":30,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":336,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/pages\/25\/revisions\/336"}],"wp:attachment":[{"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/media?parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}