{"id":247,"date":"2019-01-31T11:29:02","date_gmt":"2019-01-31T10:29:02","guid":{"rendered":"https:\/\/platform.musicaldatabase.nl\/?p=247"},"modified":"2019-01-31T11:29:22","modified_gmt":"2019-01-31T10:29:22","slug":"nu-uit-studies-in-musical-theatre-12-3","status":"publish","type":"post","link":"https:\/\/platform.musicaldatabase.nl\/index.php\/2019\/01\/31\/nu-uit-studies-in-musical-theatre-12-3\/","title":{"rendered":"Nu uit: Studies in Musical Theatre 12.3"},"content":{"rendered":"\n<p><strong>De nieuwe editie van het academisch tijdschrift Studies in Musical Theatre is gepubliceerd. Studies in Musical Theatre gaat over het soort live performance waarbij vocale en instrumentele muziek en theatrale performance de belangrijkste uitdrukkingsvormen zijn.<\/strong><\/p>\n\n\n\n<p>In de nieuwe uitgave van het tijdschrift vind je de volgende artikelen:<br><\/p>\n\n\n\n<ul><li>Girl talk: Feminist phonocentrism as an act of resistance in the musical <em>Hair&nbsp;&#8211;&nbsp;<\/em>Sarah Browne<\/li><li>Say there\u2019s no future: The queer potential of <em>Wicked<\/em>\u2019s Fiyero &#8211; Steven Greenwood<\/li><li>Bible, religion and Catholicism in Sting\u2019s album and musical <em>The Last Ship<\/em> &#8211; Evyatar Marienberg<\/li><li>Introduction to the 2018 Bruce Kirle Memorial Debut Panel in Music<br>Theatre\/Dance &#8211; Barbara Wallace Grossman<\/li><li>Queering Brechtian feminism: Breaking down gender binaries in musical theatre pedagogical performance practices &#8211; Sherrill Gow<\/li><li>The Radio City Rockettes and the making of a sisterhood &#8211; Adrienne Gibbons Oehlers<\/li><li>Four Hairsprays, one Baltimore: The city in trans-medial adaptation &#8211; Curtis Russell<\/li><li><em>The Last Ship<\/em> from Broadway to Newcastle: A feminist political musical for the Brexit era &#8211; Sarah Browne<\/li><li>Recensie: <em>Frozen<\/em> van Jennifer Lee, Kristen Anderson-Lopez en Robert Lopez &#8211; Amy S. Osatinski<\/li><\/ul>\n\n\n\n<p>Nummer 12.3 is <a href=\"https:\/\/www.intellectbooks.co.uk\/journals\/view-issue,id=3689\/\ufeff\">hier<\/a> te lezen en te bestellen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>De nieuwe editie van het academisch tijdschrift Studies in Musical Theatre is gepubliceerd. Studies in Musical Theatre gaat over het soort live performance waarbij vocale en instrumentele muziek en theatrale performance de belangrijkste uitdrukkingsvormen zijn. In de nieuwe uitgave van het tijdschrift vind je de volgende artikelen: Girl talk: Feminist phonocentrism as an act of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/posts\/247"}],"collection":[{"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/comments?post=247"}],"version-history":[{"count":2,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/posts\/247\/revisions"}],"predecessor-version":[{"id":249,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/posts\/247\/revisions\/249"}],"wp:attachment":[{"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/media?parent=247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/categories?post=247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/platform.musicaldatabase.nl\/index.php\/wp-json\/wp\/v2\/tags?post=247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}